Batman #30 Review: The Joke’s On Kite Man, And There’s Not A Dry Eye In The House

Posted by September 6, 2017 Comment

Batman #30
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Tom King hits me right in the feels again! Would this man please stop making me cry! In this Kite Man aside to The War of Jokes and Riddles, King, Mann, Mann and Bellaire yet again craft a tale full of tragedy and empathy.

Batman #30 marks another aside in the overarching plot of The War of Jokes and Riddles, and again, this sidebar focuses on the character Kite Man. Now, be aware, there are spoilers in this review, so if you’ve not read it yet, come back later, or if you don’t mind being spoiled, then read on.

Batman
Batman #30 cover by Mikel Janin

A Z-List supervillain from Batman‘s past that Tom King has taken it on himself to repeatedly include in his Batman run, in what at first seemed to be a ridiculous joke. After all, the concept of this villain is hilariously dumb! He’s a dude who wears a giant kite! And keeps on just saying his own name and “Hell yeah!”

That’s funny, right?

Well, the last aside showed us the tragic origin of Kite Man, and it showed us a whole new level to the character, bringing readers that awkward moment where all of a sudden they empathised with the joke. He wasn’t just funny or ridiculous, he was also terribly sad. It was weirdly heartbreaking.

In Batman #30, Kite Man is still running with the Joker — but the big shocker twist is that now Batman has taken a side: Riddler’s. And remember, Riddler murdered Kite Man’s son.

Batman
Batman #30 artwork by Clay Mann, Seth Mann and Jordie Bellaire

Throughout the issue, we see Kite Man along with various members of the Joker’s crew. They get taken down by the joint might of the Riddler and Batman until ultimately, Kite Man is the last man standing. Joker’s last enforcer.

All through, the story is punctuated by a narration; a remembered exchange between Kite Man and his deceased son, who’s asking him if his father is a joke. As Kite Man, in his memory, deals with this awkward, and presumably heartbreaking exchange with his son, there is an element of finding one’s acceptance with their lot in life.

It’s acceptance, but it’s also defeat. And that is what yet again makes this tale truly heartbreaking.

Batman
Batman #30 artwork by Clay Mann, Seth Mann and Jordie Bellaire

We can tell that Batman feels the same. In one of his beatdowns on Kite Man, he is begging him to stay down so it would all be over. We see that Batman gets the joke, too, and has realised it’s as tragic as it is funny.

And when you can’t laugh anymore, all there is left is to cry, especially in a powerful scene beautifully realised by art team Clay Mann, Seth Mann, and Jordie Bellaire.

Batman
Batman #30 artwork by Clay Mann, Seth Mann and Jordie Bellaire

Kite Man has become an unexpected star of this Batman run, as we see things from the criminals’ side for a change. Kite Man isn’t criminally insane; he’s not a monster. He’s an immensely sad figure, mired in his own depression and inability to see his way out of the hole his life has become. And because he keeps doing what he does, Batman has to beat on him, as much as he’d rather not to.

Because Batman pities him. And we pity him. His pain is something we understand, and we can realise “Oh my god, I’m Kite Man!” And isn’t that funny?

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(Last Updated September 6, 2017 12:39 pm )

About Joe Glass

Joe Glass has been contributing to Bleeding Cool for about four years. He's been a roaming reporter at shows like SDCC and NYCC, and also has a keen LGBTQ focus, with his occasional LGBTQ focus articles, Tales from the Four Color Closet. He is also now Bleeding Cool's Senior Mutant Correspondent thanks to his obsession with Marvel's merry mutants.

Joe is also a comics creator, writer of LGBTQ superhero team series, The Pride, the first issue of which was one of the Top 25 ComiXology Submit Titles of 2014. He is also a co-writer on Stiffs, a horror comedy series set in South Wales about call centre workers who hunt the undead by night. One happens to be a monkey. Just because.

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