Charles Burns' Black Hole Cover Sells For $37,000

It is a classic of the comic book form, and appreciated around the world. It has won Eisners, Harvey and Ignatzes. Nevertheless, it's undeniable that Charles Burns' Black Hole has a certain niche appeal. A combination of the horrific and the mundane, heavy blacks arrely mizing with the whites and using a cute form of facial depiction that clashes with the horrors within.

Charkes Burns' Black Hole Cover Sells For $37,000

And now the cover to the third issue has sold for $37,000 at Heritage Auctions, the highest amount paid for any of Charles Burns' work.

The auction did contain other pages of his – here's what a few went for. This page from Burns' Big Baby: Teen Plague went for $18,750.

Charkes Burns' Black Hole Cover Sells For $37,000

And this image from Love Nest sold for $5,000.

Charkes Burns' Black Hole Cover Sells For $37,000

Plenty more sales of note at the European Comic Art Signature Auction being held by Heritage Auctions in Dallas – and plenty more sales of note to come, I'm sure.

Here's how Black Hole is described…

The setting: suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you've got it, that's it. There's no turning back.

As we inhabit the heads of several key characters — some kids who have it, some who don't, some who are about to get it — what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.

And then the murders start.

As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird.

To say nothing of sprouting horns and molting your skin…

About Rich Johnston

Chief writer and founder of Bleeding Cool. Father of two. Comic book clairvoyant. Political cartoonist.

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