Mata Hari #4 Review: Taking the Power Back

Posted by June 30, 2018 Comment

Mata Hari #4
7.5 / 10 Reviewer
{{ reviewsOverall }} / 10 Users (0 votes)
BC Rating
Summary
Writer: Emma Beeby, Artist: Ariela Kristantina, Color Artist: Pat Masioni, Letters: Sal Cipriano, Designer: Richard Bruning, Digital Art Technician: Adam Pruett, Associate Editor: Rachel Roberts, Editor: Karen Berger, Publisher: Mike Richardson, Publishing Company: Dark Horse Comics, Release Date: Out Now, Price: $3.99

The interrogation of Mata Hari continues, and she is beginning to break. We see how she joined up with the circus and later became a dancer in the theater. We see her becoming a liaison for important men across Europe. All the while, she wants nothing more than to get custody of her daughter once more.

Mata Hari #4 cover by Ariela Kristantina and Pat Masioni
Mata Hari #4 cover by Ariela Kristantina and Pat Masioni

Mata Hari #4 brings the story back to its more focused and compelling presentation. Bouncing between the present and past as much as it does is still something of a hinderance in the storytelling. It often leaves me confused, and I’ve been following the story since the beginning.

That said, this issue shows a pivotal change in Mata Hari’s life. She finds a way to regain the agency in her life despite all that has happened to hold her back. The plot line in the present finally reaches new territory too, though the comic doesn’t make it clear what exactly this change means.

Seeing Mata Hari find freedom in dance, performance, and the company of other strong women is cathartic, even if we know that it will turn on her before long, is satisfying. She is written well, and her prayer asides are a clever way of conveying details about her thoughts and feelings.

Mata Hari #4 art by Ariela Kristantina and Pat Masioni
Mata Hari #4 art by Ariela Kristantina and Pat Masioni

Ariela Kristantina’s artwork remains one of the strongest qualities of the comic. It delivers an old-world feeling brought about by the faded look of the details and some of the more simplistic detailing. It fits the comic well and generally looks quite good. Pat Masioni’s color work tends towards a blend of browns and yellows, and it fits the comic too, even if some variance wouldn’t go amiss.

Mata Hari #4 is still confusing and unfocused in spots, but this issue has enough good character and plot beats to be more engaging than the last installment. That, along with the good artwork, make this issue worth a recommendation. Feel free to check it out.

What people say... Leave your rating
Order by:

Be the first to leave a review.

User Avatar User Avatar
Verified
{{{ review.rating_title }}}
{{{review.rating_comment | nl2br}}}

Show more
{{ pageNumber+1 }}

Leave your rating

(Last Updated June 30, 2018 3:23 pm )

Related Posts

None found

About Joshua Davison

Josh is a longtime super hero comic fan and an aspiring comic book and fiction writer himself. He also trades in videogames, Star Wars, and Magic: The Gathering, and he is also a budding film buff. He's always been a huge nerd, and he hopes to contribute something of worth to the wider geek culture conversation. He is also happy to announce that he is the new Reviews Editor for Bleeding Cool. Follow on Twitter @joshdavisonbolt.

View All Posts