Xerxes #2 Review: A Dull Story and Unappealing Art

Posted by May 4, 2018 Comment

Xerxes: The Fall of the House of Darius and the Rise of Alexander #2
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Summary
Writer and Artist: Frank Miller, Color Artist: Alex Sinclair, Cover by: Frank Miller, Logo Design: Steve Miller, Editor: Freddye Miller, Assistant Editors: Jenny Blank, Kevin Burkhalter, and Judy Khuu, Designer: Ethan Kimberling, Digital Art Technician: Chris Horn, Publisher: Mike Richardson, Special Thanks: Flint Dille, Terry Dille, Robert Rodriguez, Richard Miller, Ariane Thomas, Dan Didio, Silenn Thomas, Bill Sienkiewicz, and Walter Simonson, Publishing Company: Dark Horse Comics, Release Date: Out Now, Price: $3.99

The Greek retinue at Marathon returns to Athens to warn them of the coming Persian horde. The general is distraught and ready to let Athens execute him, but Themistokles has a wild plan. He will gather all the women and slaves to bolster their ranks, and he will shine their armor and shields to give the appearance of a grand army defending Athens.

Xerxes #2 cover by Frank Miller
Xerxes #2 cover by Frank Miller

Xerxes #2 promises a focus on the titular character in the final pages, but most of this comic is still set on Themistokles and the Athenians. This is not inherently a problem, and Themistokles does come into his own as a character somewhat in this installment.

This doesn’t make up for how archetypal the characters and how grand and silly the dialogue is throughout much of the book. Themistokles comes off as cunning and off-beat in this legion of soldier boys, but the rest of the characters are so dull. The choppy dialogue comes to a head when (spoiler?) Darius dies, and Xerxes immediately makes a declaration of vengeance like a subpar Shakespearean character.

Xerxes #2 art by Frank Miller and Alex Sinclair
Xerxes #2 art by Frank Miller and Alex Sinclair

Lord Jack Kirby knows that I’m going to rustle some jimmies with this one, but Frank Miller’s art is not good in this comic. It often resembles Medieval paintings (proper Medieval, not Renaissance) that lack depth and often have odd proportions compared to one another. Now and then you get a good spread like the owl over Athens and the Greek fire raining on the Persians, but those are the outliers instead of the norm. Much of it is unappealing. Alex Sinclair’s color art is spotty too, coming to life in environments outside Athens. However, the Athens scenes look drab in terms of color.

Xerxes #2 does little to win me over to this comic. It seems to be focusing on its namesake with the finale, but the scenes before are filled with Themistokles bouncing dialogue off uninteresting characters brought to life in an unappealing art style. I still can’t recommend this book. Give it a pass.

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(Last Updated May 4, 2018 6:07 pm )

About Joshua Davison

Josh is a longtime super hero comic fan and an aspiring comic book and fiction writer himself. He also trades in videogames, Star Wars, and Magic: The Gathering, and he is also a budding film buff. He's always been a huge nerd, and he hopes to contribute something of worth to the wider geek culture conversation. He is also happy to announce that he is the new Reviews Editor for Bleeding Cool. Follow on Twitter @joshdavisonbolt.

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