Ridley Scott Was the 4th Choice to Direct ‘Alien’

We’re celebrating the 40th anniversary of one of the most influential space films ever made, Alien. Imagine if you will, a world where Ridley Scott DIDN’T direct the 1979 science fiction-horror classic, because it almost happened. He was actually the 4th choice to tackle the movie, which was his second feature-length film.

Ridley Scott Was the 4th Choice to Direct 'Alien'
Director Ridley Scott talks about Prometheus at WonderCon 2012. Photo by Mary Anne Butler.

“I was the fourth choice,” Scott told Variety during a recent chat about the 40th anniversary of the film.“You don’t offer Bob [Robert Altman, who was offered the film before Ridley was] ‘Alien’. It’s not his thing, you know?”
“They sent me a script and I read it. I loved it. I was in Hollywood within 32 hours. Once I was there, they said ‘Look, the budget is hovering just under $4 million.’ I did The Duelists for $850,000, so the figures sounded right to me. I said, ‘Well, what I will do first is go back [to London], look at this carefully to see if there’s anything I need to adjust.'”

Ridley Scott Was the 4th Choice to Direct 'Alien'
One of Ridley Scott’s famous “doodles”, which often become the final storyboard elements.

“I was drawing all day. Then I flew back to L.A. with the boards, and they suddenly saw they had a different kind of movie. The boards told them that. So, that’s the power of being able to visualize. It went up to $8.2, I think. Then we went to $8.6 by the time we finished.”

Obviously you can see from the above doodles that Ridley’s rich imagination translated directly from his page to his screen, especially with the Xenomorph and the space jockey scenes.

Revisiting the Giger world of Alien while filming Prometheus

“You don’t show the monster too many times because you’ll get used to him and you never want to get used to him — ever. That’s always been my thesis. The best screening room in the world is the space between your ears, which is your brain. So, it’s learning to tap into the human brain to show just so much. Let the brain do a lot of the work. That’s where you start to tap into people’s anxieties.”

A masterful decision that has had lasting resonation for almost all genre films that use this mentality.

“I think ‘Alien’ captured our most primordial fears,” Scott says. “It’s particularly special because it’s not gilded with any characterization other than what you see is what you get — minute by minute with these people. That’s really why a lot of people were scared to death. It’s because they are living in it, minute by minute, and eventually, second by second.”

Fans can check out MONDO’s incredible collection of 40th anniversary gear, and you’ve GOT to pick up the new 4K edition of the genre-defining classic.

 

About Mary Anne Butler

Bleeding Cool News Editor Mary Anne Butler (Mab, for short) has been part of the fast-paced world of journalism since she was 15, getting her start in album reviews and live concert coverage for a nationally published (print) music magazine. She eventually transitioned to online media, writing for such sites as UGO/IGN, ComicsOnline, Geek Magazine, Ace of Geeks, Aggressive Comix (where she is still Editor-in-Chief), and most recently Bleeding Cool.



Over the past 10 years, she’s built a presence at conventions across the globe as a cosplayer (occasionally), photographer (constantly), panelist and moderator (mostly), and reporter (always). 



Interviews, reviews, observations, breaking news, and objective reporting are the name of the game for the founder of Harkonnen Knife Fight, a Dune-themed band with an international presence. 



Though she be but little, she is fierce. #MabTheProfessional

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