Trent Reznor Talks About Why He Left Beats / Apple Music

Trent Reznor Talks About Why He Left Beats / Apple Music

Posted by October 24, 2018 Comment

Trent Reznor remains a powerhouse of music, both on stage and in the studio. He’s an Oscar winner now, along with fellow Nine Inch Nails (NIN) bandmate Atticus Ross for their work on The Social Network. NIN is currently embarking on a world tour that’s garnering tremendous fan and critical reception, and as usual, Reznor is not shy about explaining why he chose to do something.

Photo by: Ferenc Szelepcsenyi / Shutterstock.com

Namely, leaving his position as Chief Creative Officer for Beats Music (which is now Apple Music) because it made him feel guilty; that he wasn’t being true to himself as an artist.

In a recent interview with Steriogum (which is f***ing awesome and well worth reading), Reznor went into detail about his time with Beats, and why he ultimately chose to leave the company to return to more fulfilling work:

“…I have a mixed set of feelings about the whole thing. From my own perspective, I got obsessed with trying to crack that code. Being stuck on a record label, watching fans get pissed off — watching myself get pissed off at fans and wondering why am I pissed off? ‘Cause they’re listening to my fuckin’ album!

A week before a plastic disc shows up in the store that no one wants to buy! They’re not bootlegging t-shirts or something they’re listening to shit I did and they’re excited about it and I’m doing it too to other bands that I am excited about and I thought, ‘This is broken. The whole idea is broken and there’s got to be a better way.’

Apple had been one of those companies that I really looked forward to what they were going to present. It’s like Willy Wonka. I thought Steve Jobs was a genius and he brought things to the world that I think made significant changes and I looked forward to what was ahead. Steve wasn’t there anymore but this was an opportunity that if I didn’t do it, would I feel like I would’ve wondered what would have happened if I did do it.

We were in-between record cycles and after much soul-searching I just thought, ‘I’ll jump into this and see what I can do.’ And it was an eye-opening, incredible amount of work to be dropped into the world of engineers who didn’t want you there. You know, the boss dropped you down in there and everyone’s like, ‘What the fuck is this guy doing here?’ It was an incredibly political situation that was defeating and tiring to have to deal with and most of the work seemed to be on that side than it was doing the actual work.

I would like my sons to be able to think, ‘Hey maybe there’s a career I could have as an artist and I don’t have to do that on the side while I do something else.’ That there’s a possible chance of a livelihood being made. I think after two real years of doing that full-time and another two years of doing it part-time some inroads were made that mattered — I think my awareness that most of that job comes down to product design and marketing and thinking about what the consumer wants felt at odds with the artist in me.

I’d find myself speaking the language of the marketing guy because I’d been in a room with 40 people that were talking about brand identities and shit like that. I felt like, guilty that I wasn’t being an artist and a part of that’s my own madness but it made me realize I’m not that interested in that. I’ve seen it, I’ve been under the hood, I’ve sat at the table with these guys, I got to know them, I’m in awe of what they do. It’s not what I think I was put on Earth to do. And I know that now.

There was a part of me that always thought, ‘What if I would’ve gone the computer engineering route? Would I be happier?’ I don’t know. The grass is greener on the other side. I had a chance to kind of deep-dive into working at a corporation. Seeing the nuts and bolts of how that works, there’s a lot of fascinating shit in there that I never would’ve seen or experienced and I’m appreciative of the opportunity but it also made me cherish what I’ve made on the other side, as an artist.

This is what’s good about having Atticus around. Sometimes, in his dry sense of humor he can cut right to the heart of the matter. Like one time, we were talking about something and he goes, ‘You know what I want in life?’ ‘What’s that Atticus?’ ‘Just not to feel bad.’ I thought, ‘Yeah, me too! I don’t want to feel bad.’ That’s the core of it. Everything just kind of stems from not feeling bad; physically but also spiritually and emotionally.”

We’re hoping to catch Trent Reznor and co on the West Coast leg of the tour, so keep an eye out for that.

(Last Updated October 24, 2018 12:28 pm )

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About Mary Anne Butler

Bleeding Cool News Editor Mary Anne Butler (Mab, for short) has been part of the fast-paced world of journalism since she was 15, getting her start in album reviews and live concert coverage for a nationally published (print) music magazine. She eventually transitioned to online media, writing for such sites as UGO/IGN, ComicsOnline, Geek Magazine, Ace of Geeks, Aggressive Comix (where she is still Editor-in-Chief), and most recently Bleeding Cool.



Over the past 10 years, she’s built a presence at conventions across the globe as a cosplayer (occasionally), photographer (constantly), panelist and moderator (mostly), and reporter (always). 



Interviews, reviews, observations, breaking news, and objective reporting are the name of the game for the founder of Harkonnen Knife Fight, a Dune-themed band with an international presence. 



Though she be but little, she is fierce. #MabTheProfessional

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