While we’re still not sure who will end up watching HBO’s Watchmen when Damon Lindelof‘s authorized adaptation “remix” of Alan Moore and Dave Gibbons’ classic 1986 limited comic book series from DC Comics premieres in 2019, we do know who they’ll be listening to while they’re watching. Nine Inch Nails duo Trent Reznor and Atticus Ross are on board to compose music for the project, set in an alternate history where ‘superheroes’ are treated as outlaws.
— HBO (@HBO) September 20, 2018
Reznor and Ross past works include the U.S. version of The Girl with the Dragon Tattoo, Gone Girl, documentary series The Vietnam War, and The Social Network – which won them the Academy Award in 2010 for Best Original Score. Lindelof‘s Watchmen marks the first time the pair have created music for a scripted television series.
In May 2018, Lindelof shared a series of Instagram posts to update fans on progress on the project (with a pilot directed by Westworld and Castle Rock‘s Nicole Kassell, and starring an ensemble cast that includes Jeremy Irons, Regina King, Don Johnson, Tim Blake Nelson, and Louis Gossett Jr.) – and to emphasize that his vision was not a direct adaptation of the original graphic novel, but rather a “remix” that’s utilizes important elements from the original story while telling its own narrative. Here are some excerpts from those posts:
“We have no desire to ‘adapt’ the twelve issues Mr. Moore and Mr. Gibbons created thirty years ago. Those issues are sacred ground and will not be retread nor recreated nor reproduced nor rebooted.
They will however be remixed, Because the bass lines in those familiar tracks are just too good and we’d be fools not to sample them. Those original twelve issues are our Old Testament. When the New Testament came along it did not erase what came before it. Creation. The Garden of Eden. Abraham and Isaac. The Flood. It all happened. And so it will be with ‘Watchmen.’ The Comedian died. Dan and Laurie fell in love. Ozymandias saved the world and Dr. Manhattan left it just after blowing Rorschach to pieces in the bitter cold of Antarctica.”
“This story will be set in the world its creators painstakingly built…but in the tradition of the work that inspired it, this new story must be original. It has to vibrate with the seismic unpredictability of its own tectonic plates. It must ask new questions and explore the world through a fresh lens. Most importantly, it must be contemporary. The Old Testament was specific to the Eighties of Reagan and Thatcher and Gorbachev. Ours needs to resonate with the frequency of Trump and May and Putin and the horse that he rides around on, shirtless. And speaking of Horsemen, The End of the World is off the table…which means the heroes and villains–as if the two are distinguishable–are playing for different stakes entirely.”
“Some of the characters will be unknown. New faces. New masks to cover them. We also intend to revisit the past century of Costumed Adventuring through a surprising yet familiar set of eyes…and it is here we will be taking our greatest risks…”