Batman #51 Review: Bruce Wayne on Jury Duty

Batman #51 Review: Bruce Wayne on Jury Duty

Posted by July 20, 2018 Comment

Batman #51
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Summary
Writer: Tom King, Artist: Lee Weeks, Color Artist: Elizabeth Breitweiser, Letters: Clayton Cowles, Cover by: Lee Weeks and Elizabeth Breitweiser, Variant Cover by: Kaare Andrews, Associate Editor: Brittany Holzherr, Editor: Jamie S. Rich, Batman created by Bob Kane with Bill Finger, Publisher: DC Comics, Release Date: Out Now, Price: $3.99

Jury duty has come for Bruce Wayne, and the Gotham City philanthropist has never been one to skip out on public service. The trial is against one Victor Fries, aka Mister Freeze. He was arrested for the murder of three women and brought to justice in an uncharacteristically brutal fashion by the Batman. Can the Caped Crusader be objective and fair about this, or is this just a chance to make sure Victor gets his jail time?

Batman #51 cover by Lee Weeks and Elizabeth Breitweiser
Batman #51 cover by Lee Weeks and Elizabeth Breitweiser

As is to be expected, Batman #51 is in part the fallout of #50. Bruce Wayne is in a dark place once again, and it appears he took it out on Mister Freeze on a Gotham rooftop.

Tom King’s Batman stories often succeed best when they are relatively tight and small-scale stories about the Dark Knight. This qualifies as such. It’s Bruce dealing with an especially bad break-up and the mistakes he’s possibly made in this emotional state.

I use indecisive language here not to leave out spoilers but because the comic itself leaves it a little vague as to whether Batman essentially beat Victor into a murder confession. It is entirely possible that Victor is guilty, and this is an especially elaborate ploy on the part of Bruce. I deeply hope that is not the case. That would be extraordinarily dull. Give me the fallible man over the super-genius bat any day.

Batman #51 art by Lee Weeks and Elizabeth Breitweiser
Batman #51 art by Lee Weeks and Elizabeth Breitweiser

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Lee Weeks gives this comic a gorgeous treatment. Weeks’ style leans towards the gritty and severe, and that fits this Batman story especially well. It serves the sequencing in the front half well too, where scenes of the fight are mixed in with the court proceedings to create an unnerving and disorganized sequence of events. Elizabeth Breitweiser’s color work is pale, faded, and, well, cold. Needless to say, it looks good and fits the comic’s tone near-perfectly.

Batman #51 brings me back to why I’ve grown to like King’s series. When it needs to get personal, emotional, and use misery for a purpose beyond misery itself, it’s a damn compelling book. I may not have liked #50, but #51 earns a recommendation with ease. Check it out.

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(Last Updated July 20, 2018 4:25 am )

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About Joshua Davison

Josh is a longtime super hero comic fan and an aspiring comic book and fiction writer himself. He also trades in videogames, Star Wars, and Magic: The Gathering, and he is also a budding film buff. He's always been a huge nerd, and he hopes to contribute something of worth to the wider geek culture conversation. He is also happy to announce that he is the new Reviews Editor for Bleeding Cool. Follow on Twitter @joshdavisonbolt.

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