‘American Horror Story’: 7 Seasons Of Frighteningly Beautiful Art

american horror story art

With Ryan Murphy‘s American Horror Story: Cult set to premiere its seventh season Tuesday night on FX, we’ve been reminded over the past few months just exactly how important the key artwork and overall visual have played into setting the right tone for each season’s distinctive theme. Senior VP of Print Design at FX Networks Todd Heughens took some time to sit down with our friends at Entertainment Weekly to look back on the series’ key art and offer us some insight into his creative thought process:

american horror story art

AHS Season 1: ‘Murder House’

“All we had to go by was a conversation with [executive producer] Ryan Murphy and the script for the first episode. So the first piece of key art is the most literal. Rubber Man was a character in the show that season and the woman on the floor is representative of Connie Britton’s character that season. It hit all the points this brand has become … disturbing but sensual and beautiful and arresting.”

american horror story art

AHS Season 2: ‘Asylum’

“This represented a move away from the literal to the more thematic where we would look at the different characters and themes and bring two or three of them together to create a single iconic image. That season was about the Catholic Church, which ran this asylum. It was a corrupt institution. There were aliens. There was some mad scientist conducting experiments and one of them was based on Josef Mengele, who put ink in people’s eyes. This just represents the corruption of innocents framed by the ritualistic nature of the Catholic Church.”

american horror story art

AHS Season 3: ‘Coven’

“It was about New Orleans, witchcraft and voodoo, and sexuality. It was the most female season. It was about female power, female connections, female rivalry. So bringing that together with witchcraft and voodoo, I think you can see where this image comes from.”

american horror story art

AHS Season 4: ‘Freak Show’

“This is the one where we created several images as part of the main key art campaign. Instead of creating one single image, we thought it should be a campaign that almost feels like it’s promoting the freak show. We all knew we didn’t want to feature actual disabilities. It just felt awful and exploitative. So we decided to create our own freaks that were not real.”

american horror story art

AHS Season 5: ‘Hotel’

“There was a trans character, these living dead characters sewn into mattresses, and these parents who were tortured over the disappearance of their son. So we took those two characters and combined the storylines.”

american horror story art

AHS Season 5: ‘Roanoke’

“Six seasons in, the discussions with Ryan Murphy were about injecting new excitement into the anthology. I’m not sure whose idea it was, originally, to keep it a secret, but we didn’t give the title or the theme of the season away until the night of the premiere. And the very first meeting it looked like the campaign was gonna be a billboard that said ‘American Horror Story Season 6.’ I was like, well, that’s a great idea for a campaign but kind of boring. So a contest was built around it online with one of the images hinting at themes and story lines in the coming season. If you guessed the right one, you could win a car. Somebody won. It was a Lexus or something.”

american horror story art

AHS Season 6: ‘Cult’

“American Horror Story: Cult brings a lot of things to mind. We learned there were gonna be clowns and phobias addressed. The three main phobias are coulrophobia, [fear of clowns], hemophobia [fear of blood], and trypophobia, which is this fear of irregularly shaped holes that you would find in coral, stuff like that. We were given the first two or three scripts, and in one of them, you learn that the neighbors keep bees. We immediately knew that was a symbol for a cult. Bees have a hive mentality. A cult has a hive mentality. There’s a leader. There’s the queen. There’s the woman who has the trypophobia texture to her skin. She has bee eyes, and she has these manipulative hands coming up over her head, and that represents the cult leader and manipulation and control of the people in his cult. There’s the image of the woman wearing that mask with the holes in it. The holes are all hexagons, so that again pulls from the hive, but it also pulls from trypophobia and bees, the anonymity of the hive mind. You’re giving up your individuality.”

Entertainment Weekly

About Ray Flook

Proudly serving as TV Editor, Ray started with Bleeding Cool in 2013 as a contributing writer/photographer before being brought aboard as staff in 2017. Counting John Cusack as his pop culture "spirit animal," his "word fu" stays strong as he continues trying really hard to be the sheppard...

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