Now that the live stream is done, I’ve moved the player to the bottom of this post where it should be offering a the aftershow and a replay. For those of you who’d rather just read a list of the nominees, we’ve got that coming along too. Keep refreshing to see it build up.
Black Swan (Fox Searchlight) A Protozoa and Phoenix Pictures Production
Mike Medavoy, Brian Oliver and Scott Franklin, Producers
The Fighter (Paramount) A Relativity Media Production
David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
Inception (Warner Bros.) A Warner Bros. UK Services Production
Emma Thomas and Christopher Nolan, Producers)
The Kids Are All Right (Focus Features) An Antidote Films, Mandalay Vision and Gilbert Films Production
Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
The King’s Speech (The Weinstein Company) A See-Saw Films and Bedlam Production
Iain Canning, Emile Sherman and Gareth Unwin, Producers
127 Hours (Fox Searchlight) An Hours Production
Christian Colson, Danny Boyle and John Smithson, Producers
The Social Network (Sony Pictures Releasing) A Columbia Pictures Production
Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
Toy Story 3 (Walt Disney) A Pixar Production
Darla K. Anderson, Producer
True Grit (Paramount) A Paramount Pictures Production
Scott Rudin, Ethan Coen and Joel Coen, Producers
Winter’s Bone (Roadside Attractions) A Winter’s Bone Production
Anne Rosellini and Alix Madigan-Yorkin, Producers
When there are far more best picture nominees than best director, there’s always going to be a mismatch. This time Chris Nolan, Danny Boyle, Lee Unkrich, Debra Granik and Lisa Cholodenko see their film recognised without receiving a personal nod. Does this create a two tier system? Does it effectively mark out five of the best picture nominations as mere concessions, or at best, extreme long shots?
Performance by an actor in a leading Role
Javier Bardem in “Biutiful” (Roadside Attractions)
Jeff Bridges in “True Grit” (Paramount)
Jesse Eisenberg in “The Social Network” (Sony Pictures Releasing)
James Franco in “127 Hours” (Fox Searchlight)Pictures Releasing)
Colin Firth in “The King’s Speech” (The Weinstein Company)
All of the losers names begins with the letter J. Weird.
Performance by an actor in a supporting role
Christian Bale in “The Fighter” (Paramount)
John Hawkes in “Winter’s Bone” (Roadside Attractions)
Jeremy Renner in “The Town” (Warner Bros.)
Mark Ruffalo in “The Kids Are All Right” (Focus Features)
Geoffrey Rush in “The King’s Speech” (The Weinstein Company)
Two more Js. Not so weird. Oh, and this is the only nomination for The Town.
Performance by an actress in a leading role
Annette Bening in “The Kids Are All Right” (Focus Features)
Nicole Kidman in “Rabbit Hole” (Lionsgate)
Jennifer Lawrence in “Winter’s Bone” (Roadside Attractions)
Natalie Portman in “Black Swan” (Fox Searchlight)
Michelle Williams in “Blue Valentine” (The Weinstein Company)
Not having seen Rabbit Hole yet, I’d currently say this should go to Jennifer Lawrence, but I can stand by most of them. Portman, less so, but she’s not bad.
Performance by an actress in a supporting role
Amy Adams in “The Fighter” (Paramount)
Helena Bonham Carter in “The King’s Speech” (The Weinstein Company)
Melissa Leo in “The Fighter” (Paramount)
Hailee Steinfeld in “True Grit” (Paramount)
Jacki Weaver in “Animal Kingdom” (Sony Pictures Classics)
Adams vs. Leo for The Fighter. Apparently, two nominees from a single film can often split votes (yet more evidence that people pick a film and vote for that throughout).
Best animated feature film of the year
How to Train Your Dragon (Paramount) Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics) Sylvain Chomet
Toy Story 3 (Walt Disney) Lee Unkrich
Tangled was robbed. I’ll be very surprised if Toy Story 3 doesn’t take this.
Alice in Wonderland (Walt Disney), Robert Stromberg (Production Design), Karen O’Hara (Set Decoration)
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.), Stuart Craig (Production Design), Stephenie McMillan (Set Decoration)
Inception (Warner Bros.), Guy Hendrix Dyas (Production Design), Larry Dias and Doug Mowat (Set Decoration)
The King’s Speech (Paramount), Eve Stewart (Production Design), Judy Farr (Set Decoration)
True Grit (Paramount), Jess Gonchor (Production Design), Nancy Haigh (Set Decoration)
This is where the genre blockbusters start to rear their heavily art-directed heads. Note Alice and Potter.
Achievement in Cinematography
Black Swan (Fox Searchlight) Matthew Libatique
Inception (Warner Bros.) Wally Pfister
The King’s Speech (The Weinstein Company) Danny Cohen
The Social Network (Sony Pictures Releasing) Jeff Cronenweth
True Grit (Paramount) Roger Deakins
Black Swan, no question. Though True Grit is a wonderfully well shot film too.
Achievement in costume design
Alice in Wonderland (Walt Disney) Colleen Atwood
I Am Love (Magnolia Pictures) Antonella Cannarozzi
The King’s Speech (The Weinstein Company) Jenny Beavan
The Tempest (Miramax) Sandy Powell
True Grit (Paramount) Mary Zophres
At last! Mary Zohpres gets a costume nomination after years and years of outstanding work. If she doesn’t win I’ll be swearing at the TV. She’s the one nominee on the whole list that I’m really, really rooting for.
Achievement in directing
Black Swan (Fox Searchlight), Darren Aronofsky
The Fighter (Paramount), David O. Russell
The King’s Speech (The Weinstein Company), Tom Hooper
The Social Network (Sony Pictures Releasing), David Fincher
True Grit (Paramount), Joel Coen and Ethan Coen
The correct answer (from this list) would be Joel and Ethan Coen but I predict a King’s Speech landslide or perhaps Fincher. tsk.
Best Documentary Feature
Exit through the Gift Shop (Producers Distribution Agency) Banksy and Jaimie D’Cruz A Paranoid Pictures Production
Gasland Josh Fox and Trish Adlesic A Gasland Production
Inside Job (Sony Pictures Classics) Charles Ferguson and Audrey Marrs A Representational Pictures Production
Restrepo (National Geographic Entertainment) Tim Hetherington and Sebastian Junger An Outpost Films Production
Waste Land Lucy Walker and Angus Aynsley (Arthouse Films) An Almega Projects Production
So Banksy is expected to turn up to The Oscars. Ha! This could lead to some fun nonsense.
Best documentary short subject
Killing in the Name Nominees to be determined A Moxie Firecracker Films Production
Poster Girl Nominees to be determined A Portrayal Films Production
Strangers No More Karen Goodman and Kirk Simon A Simon & Goodman Picture Company Production
Sun Come Up Jennifer Redfearn and Tim Metzger A Sun Come Up Production
The Warriors of Qiugang Ruby Yang and Thomas Lennon A Thomas Lennon Films Production
Achievement in film editing
Black Swan (Fox Searchlight) Andrew Weisblum
The Fighter Paramount Pamela Martin
The King’s Speech (The Weinstein Company) Tariq Anwar
127 Hours (Fox Searchlight) Jon Harris
The Social Network (Sony Pictures Releasing) Angus Wall and Kirk Baxter
Right. Should have been True Grit. What happened there? Just because Roderick Jaynes isn’t a real person it doesn’t mean he doesn’t deserve an Oscar nomination. Also: note that Best Picture nominees that don’t also get a best editing nod have found it very, very hard to win in the past.
Best foreign language film of the year
Biutiful – Mexico
Dogtooth – Greece
In a Better World – Denmark
Incendies – Canada
Outside the Law (Hors-la-loi) – Algeria
I hope it isn’t Dogtooth because people are getting far too carried with that little novelty already.
Achievement in makeup
Barney’s Version (Sony Pictures Classics) Adrien Morot
The Way Back (Newmarket Films in association with Wrekin Hill Entertainment and Image Entertainment) Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
The Wolfman (Universal) Rick Baker and Dave Elsey
It would be so wrong for The Wolfman to win anything, but so right for Rick Baker to get the love.
Achievement in music written for motion pictures (Original score)
How to Train Your Dragon (Paramount) John Powell
Inception (Warner Bros.) Hans Zimmer
The King’s Speech (The Weinstein Company) Alexandre Desplat
127 Hours (Fox Searchlight) A.R. Rahman
The Social Network (Sony Pictures Releasing) Trent Reznor and Atticus Ross
Daft rules had rendered many of the best scores ineligible. Of this lot, I’d got with The Social Network, but it should have been Rachel Portman for Never Let Me Go.
Achievement in music written for motion pictures (Original song)
Coming Home from Country Strong (Sony Pictures Releasing (Screen Gems)) Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
I See the Light from Tangled (Walt Disney) Music by Alan Menken Lyric by Glenn Slater
If I Rise from 127 Hours (Fox Searchlight) Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
We Belong Together from Toy Story 3 (Walt Disney) Music and Lyric by Randy Newman
Hmmm. Not the song from Tangled that I would have chosen.
Best animated short film
Day & Night (Walt Disney) A Pixar Animation Studios Production Teddy Newton
The Gruffalo A Magic Light Pictures Production Jakob Schuh and Max Lang
Let’s Pollute A Geefwee Boedoe Production Geefwee Boedoe
The Lost Thing (Nick Batzias for Madman Entertainment) A Passion Pictures Australia Production Shaun Tan and Andrew Ruhemann
Madagascar, carnet de voyage (Madagascar, a Journey Diary) A Sacrebleu Production Bastien Dubois
Happy to see Let’s Pollute and The Gruffalo on the list, but Day & Night is far out in front.
Best live action short film
The Confession (National Film and Television School) A National Film and Television School Production Tanel Toom
The Crush (Network Ireland Television) A Purdy Pictures Production Michael Creagh
God of Love A Luke Matheny Production Luke Matheny
Na Wewe (Premium Films) A CUT! Production Ivan Goldschmidt
Wish 143 A Swing and Shift Films/Union Pictures Production Ian Barnes and Samantha Waite
Achievement in sound editing
Inception (Warner Bros.) Richard King
Toy Story 3 (Walt Disney) Tom Myers and Michael Silvers
Tron: Legacy (Walt Disney) Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount) Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox) Mark P. Stoeckinger
Skip Lievsay and Craig Berkey, no doubt about it.
Achievement in sound mixing
Inception (Warner Bros.) Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King’s Speech (The Weinstein Company) Paul Hamblin, Martin Jensen and John Midgley
Salt (Sony Pictures Releasing) Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Sony Pictures Releasing) Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount) Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland
Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland, no doubt about it.
Achievement in visual effects
Alice in Wonderland (Walt Disney) Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows Part 1 (Warner Bros.) Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros.) Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception (Warner Bros.) Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2 (Paramount and Marvel Entertainment, Distributed by Paramount) Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick
Look! It’s a comic book movie. And do you know what? It has the most accomplished VFX on the list.
127 Hours (Fox Searchlight), Screenplay by Danny Boyle & Simon Beaufoy
The Social Network (Sony Pictures Releasing), Screenplay by Aaron Sorkin
Toy Story 3 (Walt Disney), Screenplay by Michael Arndt. Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount), Written for the screen by Joel Coen & Ethan Coen
Winter’s Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini
Toy Story 3 is here because it’s a sequel. Absurd rule. Anyway – this belongs to True Grit.
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson. Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros.), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
The King’s Speech (The Weinstein Company), Screenplay by David Seidler
I don’t like it when Mike Leigh gets nominated for his film’s screenplays. He didn’t write them and the cast of his films contributed as much as he did to the “script” material. Seems unfair that they get ignored like this. Anyway, I think that David Seidler is going to win.
The King’s Speech got 12 nominations, True Grit got 10, Inception and The Social Network each got 8 and The Fighter got 7.
The most ridiculous snubs would be Never Let Me Go and that film’s director Mark Romanek, actor Andrew Garfield, composer Rachel Portman, editor Barney Pilling, and design and art direction crew Mark Digby, Paul Cripps and Denis Schnegg.
I honestly think that Huck Botko and Andrew Gurland deserved an original screenplay nomination for The Last Exorcism, but I’m certainly not surprised that they didn’t get one.