Debuting at SPX today, Woman Of Action is basically a Black Widow-ish story with the copyrights filed off, smooshed with the British action spy genre and and David Tennant cast as romantic interest-come-brother. Based on that description alone, I can think of a fair number of male and female comics readers of my acquaintance who…
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Last month, Bleeding Cool reported that Dabel Brothers Productions was in debt to Lynx Studios to the tune of $27,000. I’ve also recently been informed that the publisher also owes Cadence Studios another $11,000. This includes payment for Dean Koontz’s work on Frankenstein Vol 2, six months past the due date and money for the…
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Earlier this year, Dan DiDio said that, after having so much fun writing Metal Men in Wednesday Comics, he’d be writing a new monthly comic book later this year, but gave no more details. Almost as if he were daring people to find out what the comic was. Well, he’s won, I have no idea…
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Bleeding Cool previously reported on Staz Johnson’s work on the lingerie brand Agent Provocateur comic book-catalogue, featuring a Barbarella-Russ Meyer style futuristic sci-fi with babes in nipple tassles. I understand the second issue will feature another familiar comics name, this time Joe Rubenstein, a classic comic book artist who is still most associated for his…
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It’s a great idea. Get the man who mashed up Pride And Prejudice And Zombies to write a comic that mashes up the Marvel universe with zombies, across various realities and worlds. And in this issue of Marvel Zombies: The Return… it’s basically a What If…? World War Hulk happened while the world was being…
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The fourth in a series of columns by “Irene Adler” for Bleeding Cool. The spark of creativity is a tricky thing. Sometimes the idea is waiting there just below the surface, but it doesn’t seem to quite ignite. At others, it roars out of control, consuming everything in its path. Other sparks fizzle out and…
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I’ve got a bit of freelance advertising work for an agency in London all day today… expect five more posts, one an hour for the next hour. Oh and there’s a new post from Irene too… and please behave in the comments while I’m gone? More than usual, I mean… — Talking of work, Brian…
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The Keyboard Is My FuckMonkey: Let’s talk Plotting. I know: the wits’n’wags out there are already festering-up (or at least anticipating) a bad joke about moustachioed villains and Trying To Rule The World. Obviously I’m referring to the other kind — that icky, painful, unpleasant grope towards a workable Story Structure one’s obliged to overcome…
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Did you know that the Comic Book Resources people own the dcuniverse.net domain name? I wonder what they’re going to do with that… — According to Heidi MacDonald, no one seems to know what the graphic novel Mal Chance that Platinum Studios has just signed a movie deal over, is. Well, the name change didn’t…
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I do like it when comics do the kind of things that only comics can do. The time aspect of Manhattan in Watchmen was far more powerful in the comic when you could click back and forth, emulating his own power. Something I wholeheartedly repurposed for my recent Doctor Who comic for IDW. And Mark…
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There’s something about Power Girl by Amanda Conner that I find intensely appealing. And no, it’s not just the obvious, it’s that I can’t shake the feeling that I’m just reading an extended version of The Pro, the prostitute-turned-superhero comic she drew for Garth Ennis at Image (with Jimmy inking as well). So keep reading…
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Alan Davis is a legend in comics for a reason. His work is epic, clean, bold, full of great storytelling and enough pizzazz and showmanship to dazzle and excite without obscuring. And so when he draws an ex-humanoid-turned sea monster devouring Atlanteans and fighting X-Men off the coast alongside Namor in a bid by Norman…
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